Read Ostrannenie: On "Strangeness" and the Moving Image. The History, Reception, and Relevance of a Concept (The Key Debates: Mutations and Appropriations in European Film Studies)

Ostrannenie: On "Strangeness" and the Moving Image. The History, Reception, and Relevance of a Concept (The Key Debates: Mutations and Appropriations in European Film Studies)

Annie van den Oever

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Description:Coined by the Russian formalist Victor Shklovsky in 1917, ostrannenie , or “making it strange”, has become one of the central concepts of modern artistic practice, ranging over movements that include Dada, postmodernism, epic theater, and science fiction, as well as our response to the arts. Ostrannenie has come to resonate deeply in film studies, where it entered into dialogue with the Brechtian concept of Verfremdung , the Freudian concept of the uncanny, and Derrida’s concept of différance . Striking, provocative, and incisive, the essays of the distinguished film scholars in this volume reveal the range and depth of a concept that for nearly a century has been changing the trajectory of theoretical inquiry.We have made it easy for you to find a PDF Ebooks without any digging. And by having access to our ebooks online or by storing it on your computer, you have convenient answers with Ostrannenie: On "Strangeness" and the Moving Image. The History, Reception, and Relevance of a Concept (The Key Debates: Mutations and Appropriations in European Film Studies). To get started finding Ostrannenie: On "Strangeness" and the Moving Image. The History, Reception, and Relevance of a Concept (The Key Debates: Mutations and Appropriations in European Film Studies), you are right to find our website which has a comprehensive collection of manuals listed.
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ISBN: 9089640797

Description: Coined by the Russian formalist Victor Shklovsky in 1917, ostrannenie , or “making it strange”, has become one of the central concepts of modern artistic practice, ranging over movements that include Dada, postmodernism, epic theater, and science fiction, as well as our response to the arts. Ostrannenie has come to resonate deeply in film studies, where it entered into dialogue with the Brechtian concept of Verfremdung , the Freudian concept of the uncanny, and Derrida’s concept of différance . Striking, provocative, and incisive, the essays of the distinguished film scholars in this volume reveal the range and depth of a concept that for nearly a century has been changing the trajectory of theoretical inquiry.We have made it easy for you to find a PDF Ebooks without any digging. And by having access to our ebooks online or by storing it on your computer, you have convenient answers with Ostrannenie: On "Strangeness" and the Moving Image. The History, Reception, and Relevance of a Concept (The Key Debates: Mutations and Appropriations in European Film Studies). To get started finding Ostrannenie: On "Strangeness" and the Moving Image. The History, Reception, and Relevance of a Concept (The Key Debates: Mutations and Appropriations in European Film Studies), you are right to find our website which has a comprehensive collection of manuals listed.
Our library is the biggest of these that have literally hundreds of thousands of different products represented.

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Ostrannenie: On "Strangeness" and the Moving Image. The History, Reception, and Relevance of a Concept (The Key Debates: Mutations and Appropriations in European Film Studies)

Ostrannenie: On "Strangeness" and the Moving Image. The History, Reception, and Relevance of a Concept (The Key Debates: Mutations and Appropriations in European Film Studies)

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