Description:How can researchers study magic without destroying its mystery? Drawing on a collaborative project between the playwright Poppy Corbett, the poet Anna Kisby Compton, and the historian William G. Pooley, this Element presents thirteen tools for creative-academic research into magic, illustrated through case studies from France (1790-1940) and examples from creative outputs: write to discover; borrow forms; use the whole page; play with footnotes; erase the sources; write short; accumulate fragments; re-enact; improvise; use dialogue; change perspective; make methods of metaphors; use props. These tools are ways to 'untell' the dominant narratives that shape stereotypes of the 'witch' which frame belief in witchcraft as ignorant and outdated. Writing differently suggests ways to think and feel differently, to stay with the magic, rather than explaining it away. The Element includes practical creative exercises to try as well as research materials from French newspaper and trial sources from the period.We have made it easy for you to find a PDF Ebooks without any digging. And by having access to our ebooks online or by storing it on your computer, you have convenient answers with Creative Histories of Witchcraft: France, 1790–1940 (Elements in Magic). To get started finding Creative Histories of Witchcraft: France, 1790–1940 (Elements in Magic), you are right to find our website which has a comprehensive collection of manuals listed. Our library is the biggest of these that have literally hundreds of thousands of different products represented.
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Creative Histories of Witchcraft: France, 1790–1940 (Elements in Magic)
Description: How can researchers study magic without destroying its mystery? Drawing on a collaborative project between the playwright Poppy Corbett, the poet Anna Kisby Compton, and the historian William G. Pooley, this Element presents thirteen tools for creative-academic research into magic, illustrated through case studies from France (1790-1940) and examples from creative outputs: write to discover; borrow forms; use the whole page; play with footnotes; erase the sources; write short; accumulate fragments; re-enact; improvise; use dialogue; change perspective; make methods of metaphors; use props. These tools are ways to 'untell' the dominant narratives that shape stereotypes of the 'witch' which frame belief in witchcraft as ignorant and outdated. Writing differently suggests ways to think and feel differently, to stay with the magic, rather than explaining it away. The Element includes practical creative exercises to try as well as research materials from French newspaper and trial sources from the period.We have made it easy for you to find a PDF Ebooks without any digging. And by having access to our ebooks online or by storing it on your computer, you have convenient answers with Creative Histories of Witchcraft: France, 1790–1940 (Elements in Magic). To get started finding Creative Histories of Witchcraft: France, 1790–1940 (Elements in Magic), you are right to find our website which has a comprehensive collection of manuals listed. Our library is the biggest of these that have literally hundreds of thousands of different products represented.