Description:This story is about Chintya (Chintamanprasad Sardeshmukh), born at the precise moment of extinction of Bramhin Nizami of the family in the remote countryside of the state of Maharashtra in India. His birth is a mirror of life and the end of Bramhin Nizami since he is the only guy with short nose and dark complexion in the family. One can easily figure out that his life is both metaphorically and literally related to the significant happenings in the social and class system of rural Maharashtra. Chintya is born with divine power of question generating factory, and an uncanny sense of adaptability that allows him to be shaped, reshaped and deshaped by family, teachers, peons, clerks, schoolmates, classmates, and the people around across every social demographic. Bramhin family, that has enjoyed the Nizami until recent past, is tenant to Lingaayat family such parallel facts give the texture of the state of mind of the family except Chintya's state of mind. Chintya's texture of the state of mind differs a lot. Chintya, an eleven year old boy has no importance for...or he is not aware of... or not infected by the past or the cast he belongs to. He is the metaphor of the adaptability and every time he ends up saying 'OK' to every single person. He is always in the search of answers. There are several intrusive third person narrators and story is being constructed with the help of many point of views. These elements bring out the journey of the main character Chintya through the struggle to cope with the matrix, home, school, town, people, values, expectations, adjustments etc. The experiments with narrative strategies, POVs and landscape exploration are brilliantly remarkable. Creative manipulation of language, dialect, sociolects, and idiolects while painting the spatial and the temporal picture in the novel is the USP. The painting of fear leading to obsession allows reader to explore many worlds within a world. -AmazonWe have made it easy for you to find a PDF Ebooks without any digging. And by having access to our ebooks online or by storing it on your computer, you have convenient answers with Bagala. To get started finding Bagala, you are right to find our website which has a comprehensive collection of manuals listed. Our library is the biggest of these that have literally hundreds of thousands of different products represented.
Description: This story is about Chintya (Chintamanprasad Sardeshmukh), born at the precise moment of extinction of Bramhin Nizami of the family in the remote countryside of the state of Maharashtra in India. His birth is a mirror of life and the end of Bramhin Nizami since he is the only guy with short nose and dark complexion in the family. One can easily figure out that his life is both metaphorically and literally related to the significant happenings in the social and class system of rural Maharashtra. Chintya is born with divine power of question generating factory, and an uncanny sense of adaptability that allows him to be shaped, reshaped and deshaped by family, teachers, peons, clerks, schoolmates, classmates, and the people around across every social demographic. Bramhin family, that has enjoyed the Nizami until recent past, is tenant to Lingaayat family such parallel facts give the texture of the state of mind of the family except Chintya's state of mind. Chintya's texture of the state of mind differs a lot. Chintya, an eleven year old boy has no importance for...or he is not aware of... or not infected by the past or the cast he belongs to. He is the metaphor of the adaptability and every time he ends up saying 'OK' to every single person. He is always in the search of answers. There are several intrusive third person narrators and story is being constructed with the help of many point of views. These elements bring out the journey of the main character Chintya through the struggle to cope with the matrix, home, school, town, people, values, expectations, adjustments etc. The experiments with narrative strategies, POVs and landscape exploration are brilliantly remarkable. Creative manipulation of language, dialect, sociolects, and idiolects while painting the spatial and the temporal picture in the novel is the USP. The painting of fear leading to obsession allows reader to explore many worlds within a world. -AmazonWe have made it easy for you to find a PDF Ebooks without any digging. And by having access to our ebooks online or by storing it on your computer, you have convenient answers with Bagala. To get started finding Bagala, you are right to find our website which has a comprehensive collection of manuals listed. Our library is the biggest of these that have literally hundreds of thousands of different products represented.