Read Cinematic Interfaces: Film Theory After New Media

Cinematic Interfaces: Film Theory After New Media

Seung-Hoon Jeong

4.9/5 (21518 ratings)

Description:In this book, Seung-hoon Jeong introduces the cinematic interface as a contact surface that mediates between image and subject, proposing that this mediation be understood not simply as transparent and efficient but rather as asymmetrical, ambivalent, immanent, and multidirectional. Jeong enlists the new media term interface to bring to film theory a synthetic notion of "interfaciality" as underlying the multifaceted nature of both the image and subjectivity. Drawing on a range of films, Jeong examines cinematic interfaces seen on screen and the spectators experience of them, including: the direct appearance of a camera/filmstrip/screen, the characters bodily contact with such a medium-interface, the objects surface and the subjects face as quasi-interface, and the image itself. Each of these case studies serves as a platform for remapping and revamping major concepts in film studies such as suture, embodiment, illusion, signification, and indexicality. Looking to such theories as the ontology of the image and the phenomenology of the body, this original theorization of the cinematic interface not only offers a conceptual framework for rethinking and re-linking film and media studies, but also suggests a general theory of the interface.We have made it easy for you to find a PDF Ebooks without any digging. And by having access to our ebooks online or by storing it on your computer, you have convenient answers with Cinematic Interfaces: Film Theory After New Media. To get started finding Cinematic Interfaces: Film Theory After New Media, you are right to find our website which has a comprehensive collection of manuals listed.
Our library is the biggest of these that have literally hundreds of thousands of different products represented.

Pages: 282

Format: PDF, EPUB & Kindle Edition

Publisher: Routledge

Release: 2013

ISBN: 129973331X

Description: In this book, Seung-hoon Jeong introduces the cinematic interface as a contact surface that mediates between image and subject, proposing that this mediation be understood not simply as transparent and efficient but rather as asymmetrical, ambivalent, immanent, and multidirectional. Jeong enlists the new media term interface to bring to film theory a synthetic notion of "interfaciality" as underlying the multifaceted nature of both the image and subjectivity. Drawing on a range of films, Jeong examines cinematic interfaces seen on screen and the spectators experience of them, including: the direct appearance of a camera/filmstrip/screen, the characters bodily contact with such a medium-interface, the objects surface and the subjects face as quasi-interface, and the image itself. Each of these case studies serves as a platform for remapping and revamping major concepts in film studies such as suture, embodiment, illusion, signification, and indexicality. Looking to such theories as the ontology of the image and the phenomenology of the body, this original theorization of the cinematic interface not only offers a conceptual framework for rethinking and re-linking film and media studies, but also suggests a general theory of the interface.We have made it easy for you to find a PDF Ebooks without any digging. And by having access to our ebooks online or by storing it on your computer, you have convenient answers with Cinematic Interfaces: Film Theory After New Media. To get started finding Cinematic Interfaces: Film Theory After New Media, you are right to find our website which has a comprehensive collection of manuals listed.
Our library is the biggest of these that have literally hundreds of thousands of different products represented.

Special Offer | $0.00

Special Offer! | $0.00

Cinematic Interfaces: Film Theory After New Media

Cinematic Interfaces: Film Theory After New Media

More Books

Global Auteur, The: The Politics of Authorship in 21st Century Cinema

Global Auteur, The: The Politics of Authorship in 21st Century Cinema

Biopolitical Ethics in Global Cinema

Biopolitical Ethics in Global Cinema

Asian Tradition and Cosmopolitan Politics: Dialogue with Kim Dae-jung

Asian Tradition and Cosmopolitan Politics: Dialogue with Kim Dae-jung

Communication, Digital Media, and Popular Culture in Korea: Contemporary Research and Future Prospects

Communication, Digital Media, and Popular Culture in Korea: Contemporary Research and Future Prospects

Korean Communication, Media, and Culture: An Annotated Bibliography

Korean Communication, Media, and Culture: An Annotated Bibliography