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Partimento and Continuo Playing in Theory and in Practice (Collected Writings of the Orpheus Institute)

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Description:This volume reflects a multidisciplinary approach, with the accent on the interplay between music performance and music theory. Thomas Christensen, in his contribution, shows how the development of tonal harmonic theory went hand in hand with the practice of thoroughbass. Both Robert Gjerdingen and Giorgio Sanguinetti focus on the Neapolitan tradition of partimento. Gjerdingen addresses the relation between the realization of partimenti and contrapuntal thinking, illustrated by examples of contrapuntal imitation and combination in partimenti, leading to the "partimentofugue." Sanguinetti elaborates on the history of this partimentofugue from the early eighteenth until the late nineteenth century. Rudolf Lutz, finally, presents his use of partimenti in educational practice, giving examples of how reviving this old practice can give new insights to composers, conductors, and musicians.We have made it easy for you to find a PDF Ebooks without any digging. And by having access to our ebooks online or by storing it on your computer, you have convenient answers with Partimento and Continuo Playing in Theory and in Practice (Collected Writings of the Orpheus Institute). To get started finding Partimento and Continuo Playing in Theory and in Practice (Collected Writings of the Orpheus Institute), you are right to find our website which has a comprehensive collection of manuals listed.
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ISBN: 9058678288

Description: This volume reflects a multidisciplinary approach, with the accent on the interplay between music performance and music theory. Thomas Christensen, in his contribution, shows how the development of tonal harmonic theory went hand in hand with the practice of thoroughbass. Both Robert Gjerdingen and Giorgio Sanguinetti focus on the Neapolitan tradition of partimento. Gjerdingen addresses the relation between the realization of partimenti and contrapuntal thinking, illustrated by examples of contrapuntal imitation and combination in partimenti, leading to the "partimentofugue." Sanguinetti elaborates on the history of this partimentofugue from the early eighteenth until the late nineteenth century. Rudolf Lutz, finally, presents his use of partimenti in educational practice, giving examples of how reviving this old practice can give new insights to composers, conductors, and musicians.We have made it easy for you to find a PDF Ebooks without any digging. And by having access to our ebooks online or by storing it on your computer, you have convenient answers with Partimento and Continuo Playing in Theory and in Practice (Collected Writings of the Orpheus Institute). To get started finding Partimento and Continuo Playing in Theory and in Practice (Collected Writings of the Orpheus Institute), you are right to find our website which has a comprehensive collection of manuals listed.
Our library is the biggest of these that have literally hundreds of thousands of different products represented.

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Partimento and Continuo Playing in Theory and in Practice (Collected Writings of the Orpheus Institute)

Partimento and Continuo Playing in Theory and in Practice (Collected Writings of the Orpheus Institute)

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