Read Methodical Sight Singing (Classic Reprint)

Methodical Sight Singing (Classic Reprint)

Frederic Woodman Root

4.9/5 (32381 ratings)

Description:Excerpt from Methodical Sight Singing: Part I. The Beginning; Part II. Through the Keys; Part III. Progressive Musicianship; A Method of Private and Class Instruction in the First and Fundamental Requirements of Music; Including the Science of Music Reading In this regard music reading for singing differs essentially from the mentality involved in reading instrumental music. Nearly all adults and the majority of children have an acquaintance with common melod. '3 forms before taking up the study of music reading. This acquaintance they have acquired a I they have gained a knowledge of their language, through the sense of hearing unconsciously I exerted. Church music or popular song in some of its phases are familiar experiences of every day life. But this knowledge is at first exclusively associated with the sense of hearing. When the time comes to learn to read music, another sense must be trained to bring to the mind a correct concept of music. Then it is found that the mind turns so persistently to the suggestions of the ear, its first and habitual dependence, that a long course of study, with concentration and effort, is often required before the eye leads the thought securely and independently in music. At last, however, one learns to hear with the eye, and the goal is attained. Reading music is no longer guess work, depending upon the ear, a precarious process giving occasion to the unconsciously humorous statement, some days I can read music quite well! Still there is much training to be done to the ear which must be taught to classify and associate tones systematically. One must also learn to see with the ear. The sense of key note, tonality or key-relationship, and intervals, must be established through the hearing. Generally the beginner has a fair sense of rhythm at the outset; but unless this be specially cultivated it is sure to become obscured by being made secondary to other considerations. While intent upon thinking out pitch problems, for instance, the learner usually neglects rhythm altogether. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.We have made it easy for you to find a PDF Ebooks without any digging. And by having access to our ebooks online or by storing it on your computer, you have convenient answers with Methodical Sight Singing (Classic Reprint). To get started finding Methodical Sight Singing (Classic Reprint), you are right to find our website which has a comprehensive collection of manuals listed.
Our library is the biggest of these that have literally hundreds of thousands of different products represented.

Pages: —

Format: PDF, EPUB & Kindle Edition

Publisher: —

Release: —

ISBN: 1333900260

Description: Excerpt from Methodical Sight Singing: Part I. The Beginning; Part II. Through the Keys; Part III. Progressive Musicianship; A Method of Private and Class Instruction in the First and Fundamental Requirements of Music; Including the Science of Music Reading In this regard music reading for singing differs essentially from the mentality involved in reading instrumental music. Nearly all adults and the majority of children have an acquaintance with common melod. '3 forms before taking up the study of music reading. This acquaintance they have acquired a I they have gained a knowledge of their language, through the sense of hearing unconsciously I exerted. Church music or popular song in some of its phases are familiar experiences of every day life. But this knowledge is at first exclusively associated with the sense of hearing. When the time comes to learn to read music, another sense must be trained to bring to the mind a correct concept of music. Then it is found that the mind turns so persistently to the suggestions of the ear, its first and habitual dependence, that a long course of study, with concentration and effort, is often required before the eye leads the thought securely and independently in music. At last, however, one learns to hear with the eye, and the goal is attained. Reading music is no longer guess work, depending upon the ear, a precarious process giving occasion to the unconsciously humorous statement, some days I can read music quite well! Still there is much training to be done to the ear which must be taught to classify and associate tones systematically. One must also learn to see with the ear. The sense of key note, tonality or key-relationship, and intervals, must be established through the hearing. Generally the beginner has a fair sense of rhythm at the outset; but unless this be specially cultivated it is sure to become obscured by being made secondary to other considerations. While intent upon thinking out pitch problems, for instance, the learner usually neglects rhythm altogether. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.We have made it easy for you to find a PDF Ebooks without any digging. And by having access to our ebooks online or by storing it on your computer, you have convenient answers with Methodical Sight Singing (Classic Reprint). To get started finding Methodical Sight Singing (Classic Reprint), you are right to find our website which has a comprehensive collection of manuals listed.
Our library is the biggest of these that have literally hundreds of thousands of different products represented.

Special Offer | $0.00

Special Offer! | $0.00

Methodical Sight Singing (Classic Reprint)

Methodical Sight Singing (Classic Reprint)

More Books

Guardian Angels. [Three-part song.] Words and Music by F. W. Root. Accompaniment by P. Jackman

Guardian Angels. [Three-part song.] Words and Music by F. W. Root. Accompaniment by P. Jackman

Methodical Sight Singing. A Method of Private and Class Instruction in the First and Fundamental Requirements of Music ... Lessons in Vocal Culture, Opus 21; Volume pt 1 and 2

Methodical Sight Singing. A Method of Private and Class Instruction in the First and Fundamental Requirements of Music ... Lessons in Vocal Culture, Opus 21; Volume pt 1 and 2

Introductory Lessons in Voice Culture ... Opus 22

Introductory Lessons in Voice Culture ... Opus 22

Scales and Various Excercises For The Voice, Op.27 (Technic and Art of Singing)

Scales and Various Excercises For The Voice, Op.27 (Technic and Art of Singing)

Fountain of Life ... [Sacred song.] Hymn and music by F. W. Root

Fountain of Life ... [Sacred song.] Hymn and music by F. W. Root

Guide for the Male Voice ... With exercises adapted to Tenor, Baritone and Bass. Op. 23

Guide for the Male Voice ... With exercises adapted to Tenor, Baritone and Bass. Op. 23

Guardian Angels. [For S. S. C.] Accompaniment by Percy Jackman, etc

Guardian Angels. [For S. S. C.] Accompaniment by Percy Jackman, etc

Prairie Belle Schottische. [P. F.]

Prairie Belle Schottische. [P. F.]

Angels. [Sacred song.] Words and music by F. W. Root

Angels. [Sacred song.] Words and music by F. W. Root